The White Indians of Mexican Cinema Gregor PaulExamines the filmic representation of Whiteness as Indigeneity and its role in mediating racial politics in Mexico. Honorable Mention, 2024 International Latino Book Award in the Best Academic Themed Book, College Level English category The White Indians of Mexican Cinema theorizes the development of a unique form of racial masquerade the representation of Whiteness as Indigeneity during the Golden Age of Mexican cinema, from the 1930s to the 1950s.
Case conceptualizations focuses on the delivery of services
and the unique forms of textuality they enable through risky personal and artistic conflicts
Journal of Pediatric Epilepsy
End of chapter questions are designed to assess knowledge
Practical clinical vignettes with self-assessment Q&A accompany chapters in Part II
the authors examine conflicts and points of convergence between cultural practices and knowledges that are produced in and out of schools
” The Secret Rose exhibits Yeats’ devotion to personal mythology and occult orders
Describes the ways in which the alliance of social work and public health is improving health care
Lucas explores how the monarchy in Jordan survived economic crisis and regional political instability during the 1990s
He delivers a compelling heroine whose story helps shape the narrative of the past and present
Unpacking the power dynamics at play in the dialogue of eight emblematic films
She also explores the role of mechanical engineers in designing management systems which rely on technical writing to control operations and profits
