The infinite image: Art, Time and the Aesthetic Dimension in Antiquity. Techniques archéologiques

The infinite image: Art, Time and the Aesthetic Dimension in Antiquity. Techniques archéologiquesIn the ancient civilizations of the Near East and Mediterranean, images were used as a way to create reality and reach out to the infinite. Reviving the fascination that gripped the avant garde and the surrealists when confronted with the arts of the ancient Near East, The Infinite Image presents a radical new reading of Mesopotamian art as an aesthetic realm defined by objects that transcend time in order to carry traces of the past into the present.

leurs premières descriptions et appellations

Inlassablement

elles participent d'une définition d'un faciès funéraire propre aux colonies grecques de la Méditerranée nord-occidentale

Dès les années 1960

J’y retourne cet hiver

XXIVe supplément à «Gallia«

Georgia O’Keeffe pourrait être l’héroïne d’un roman d’aventures ou d’un western

Le présent ouvrage est en quelque sorte une intro­duction à l'oeuvre de Bashô

les Songye de la République Démocratique du Congo

who were concerned with Greek vases during the 19th century

such as the assumed change of his name

Itamar Singer : Two notes on the sea links between Egypt and the Hittite Empire